Herbert Vogel and Dorothy Vogel, once described as "proletarian art collectors,"[1] worked as civil servants in New York City for more than a half-century while amassing what has been called one of the most important post-1960s art collections in the United States,[2] mostly of minimalist and conceptual art.[3]
They amassed a collection of over 4,782 works, which they displayed, and also stored in closets and under the bed, in their rent-controlled one-bedroom apartment on Manhattan's Upper East Side.[14][15] Though their focus was mainly conceptual art and minimalist art,[16] the collection also includes noteworthy post-minimalist work.[10] Their collection eventually came to include work from artists such as pop artist Roy Lichtenstein, photographers Cindy Sherman and Lorna Simpson, minimalist Robert Mangold and post-minimalist Richard Tuttle.
In 1992, the Vogels decided to transfer the entire collection to the National Gallery of Art because it charges no admission, doesn't sell donated works, and they wanted their art to belong to the public.[17]
In late 2008, they launched The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty States along with the National Gallery of Art, the National Endowment for the Arts, and the Institute of Museum and Library Services.[18] The program donated 2,500 works to 50 institutions across 50 states and was accompanied by a book with the same name. In 2008, an award-winning documentary about their story, Herb and Dorothy, was released.
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