Monday, September 3, 2012

Basquiat - an interpretation of the 1981 4'X6' acrylic "Irony Of Negro Policeman"

Irony of Negro Policeman (1981), is intended to illustrate how African-Americans have been controlled by a predominantly Caucasian society. Basquiat sought to portray how complicit African-Americans have become with the “institutionalized forms of whiteness and corrupt white regimes of power” years after the Jim Crow era had ended, says Wikipdeai.[33]

Basquiat found the concept of a “Negro policeman” utterly ironic. It would seem that this policeman should sympathize with his black friends, family and ancestors, yet instead he was there to enforce the rules designed by "white society."

The Negro policeman had “black skin but wore a white mask”. In the painting, Basquiat depicted the policeman as large in order to suggest an “excessive and totalizing power”, but made the policeman's body fragmented and broken.[34]

The hat that frames the head of the Negro policeman resembles a cage, and represents how constrained the independent perceptions of African-Americans were at the time, and how constrained the policeman’s own perceptions were within white society.

Basquiat drew upon his Haitian heritage by painting a hat that resembles the top hat associated with the Haitian trickster lwa, leader of the Gede family of lwas and guardian of death and the dead in vodou.[34]

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