Irwin Allen Ginsberg (1926 – 1997) was an American poet and one of the leading figures of the Beat Generation in the 1950s, notes Wikipedia.
He vigorously opposed militarism, materialism and sexual repression. Ginsberg is best known for his epic poem "Howl", in which he celebrated his fellow "angel-headed hipsters" and harshly denounced what he saw as the destructive forces of capitalism and conformity in the United States.
I saw the best minds of my generation destroyed by
madness, starving hysterical naked,
dragging themselves through the negro streets at dawn
looking for an angry fix...[2]
In October 1955, Ginsberg and five other unknown poets gave a free reading at an experimental art gallery in San Francisco. Ginsberg's "Howl" electrified the audience.
In 1957, "Howl" attracted widespread publicity when it became the subject of an obscenity trial in which a San Francisco prosecutor argued it contained "filthy, vulgar, obscene, and disgusting language." The poem seemed especially outrageous in 1950s America because it depicted both heterosexual and homosexual sex[4] at a time when sodomy laws made homosexual acts a crime in every U.S. state.
"Howl" reflected Ginsberg's own homosexuality and his relationships with a number of men, including Peter Orlovsky, his lifelong partner.[5]
Judge Clayton W. Horn ruled that "Howl" was not obscene, adding, "Would there be any freedom of press or speech if one must reduce his vocabulary to vapid innocuous euphemisms?"[6]
In "Howl" and in his other poetry, Ginsberg drew inspiration from the epic, free verse style of the 19th century American poet Walt Whitman. Both wrote passionately about the promise (and betrayal) of American democracy, the central importance of erotic experience, and the spiritual quest for the truth of everyday existence.
Ginsberg was a practicing Buddhist who studied Eastern religious disciplines extensively.
Ginsberg's political activism was consistent with his religious beliefs. He took part in decades of non-violent political protest against everything from the Vietnam War to the War on Drugs.[12] The literary critic, Helen Vendler, described Ginsberg as "tirelessly persistent in protesting censorship, imperial politics, and persecution of the powerless."
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