The French king, Francois I, preferred Chateau Amboise to Paris and the Louvre.
In 1515 Francis was crowned King of France in the Cathedral of Reims. Despite being only twenty-years old, he already had unprecedented humanist credentials. While his two predecessors, Charles VIII and Louis XII, had spent much of their reigns concerned with Italy they did not much embrace the new intellectual movements coming out of it.
Both monarchs continued in the same patterns of behavior that had dominated the French monarchy for centuries. They are considered the last of the medieval French monarchs, but they did lay the groundwork for the Renaissance to come into full swing in France.
Contact between the French and Italians in the long running series of wars under Charles VIII and Louis XII had brought new ideas to France by the time the young Francis was receiving his education. Thus a number of his tutors, such as Desmoulins, his Latin instructor, and Christophe de Longueil were schooled in the new ways of thinking and they attempted to imbue Francis with it. Francis' mother also had a great interest in Renaissance art, which she passed down to her son.
He became a major patron of the arts and lent his support to many of the greatest artists of his time and encouraged them to come to France. Some did work for him, including such greats as Andrea del Sarto, and Leonardo da Vinci, whom Francis convinced to leave Italy in the last part of his life. While Leonardo did little painting in his years in France, he brought with him many of his great works, such as the Mona Lisa, known in France as La Joconde, and these stayed in France upon his death.
Other major artists whom Francis employed include the goldsmith Benvenuto Cellini, and the painters Rosso, Romano and Primaticcio, all of whom were heavily employed in decorating Francis' various palaces. Francis employed a number of agents in Italy who endeavoured to procure artworks by Italian masters such as Michelangelo, Titian, and Raphael and ship them to France.
When Francis ascended the throne, the royal palaces were decorated with only a scattering of great paintings, and not a single piece of sculpture either ancient or modern. It is during Francis' reign that the magnificent art collection of the French kings that can still be seen in the Louvre was truly begun.
Francis poured vast amounts of money into new structures. He continued the work of his predecessors on the Château d'Amboise and also started renovations on the Château de Blois. Early in his reign, he also began construction of the magnificent Château de Chambord, inspired by the styles of the Italian renaissance, and perhaps even designed by Leonardo da Vinci.
Francis rebuilt the Louvre, transforming it from a medieval fortress into a building of Renaissance splendour. He financed the building of a new City Hall (Hôtel de Ville) for Paris in order to have control over the building's design. He constructed the Château de Madrid in the Bois de Boulogne, and rebuilt the Château de St-Germain-en-Laye. The largest of Francis' building projects was the reconstruction and expansion of the royal château of Fontainebleau, which quickly became his favourite place of residence, as well as the residence of his official mistress - Anne, duchess of Étampes.
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