Max Ernst (2 April 1891 – 1 April 1976) was a German painter, sculptor, graphic artist, and poet, considered one of the chief representatives of Dadaism and Surrealism.
In 1922, he joined fellow Dadaists André Breton, Gala, Tristan Tzara, Paul Éluard at the artistic community of Montparnasse.[1] Constantly experimenting, in 1925 he invented a graphic art technique called frottage, which uses pencil rubbings of objects as a source of images.
The next year he collaborated with Joan Miró on designs for Sergei Diaghilev. With Miró's help, Ernst pioneered grattage in which he troweled pigment from his canvases. He also explored with the technique of decalcomania which involves pressing paint between two surfaces.[3]
Ernst developed a fascination with birds that was prevalent in his work. His alter ego in paintings, which he called Loplop, was a bird. He suggested this alter-ego was an extension of himself stemming from an early confusion of birds and humans. He said his sister was born soon after his bird died.
Ernst and Guggenheim arrived in the United States in 1941 and were married the following year. Along with other artists and friends (Marcel Duchamp and Marc Chagall) who had fled from the war and lived in New York City, Ernst helped inspire the development of Abstract expressionism.
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